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H.P. Lovecraft’s Book of the Supernatural: 20 Classics of the Macabre, Chosen by the Master of Horror Himself (2006)

Edited by Stephen Jones
Illustrated by Randy Broecker

(a) Pegasus Books, USA • tp • $15.95
ISBN-10: 1-933648-01-5
ISBN-13: 978-1-933648-01-9
(2nd printing, 2010 • $15.95)
(3rd printing, 2013 • $15.95)
H.P. Lovecraft's Book of the Supernatural: 20 Classics of the Macabre, Chosen by the Master of Horror Himself (2006)
Cover by John Picacio
Cover design by Smith & Jones [uncredited]

[Note: The publisher failed to include any of my editorial corrections in the first printing and all further reprintings and editions to date. At the end of 2008, I also discovered that there exists an Advance Reading Copy that is almost identical to the trade paperback edition.
—Stephen Jones.]

Written by one of the most important writers of the 20th century, H.P. Lovecraft’s ‘Supernatural Horror in Literature’ traces the evolution of the genre from its mythological roots and the early Gothic novels, through to the work of contemporary American, British, and European authors. Throughout the essay Lovecraft acknowledges those writers and stories that he feels are the very finest the horror field has to offer. For the first time in book form, World Fantasy Award-wining editor Stephen Jones proudly presents these twenty classic tales by Lovecraft’s favorite authors, including Washington Irving, Robert Louis Stevenson, Guy de Maupassant, Edgar Allan Poe, Ambrose Bierce, Rudyard Kipling, Lafcadio Hearn, Bram Stoker, Sir Arthur Conan Doyle, William Hope Hidgson, and Arthur Machen, each prefaced by Lovecraft’s own opinions and insights into their work. This chilling new collection also contains Henry James’ wonderfully atmospheric short novel ‘The Turn of the Screw’, while H.P. Lovecraft himself contributes a fascinating foreword in which he gives his own advice on how to successfully write weird fiction. For every fan of modern horror, here is an opportunity to rediscover the roots of the genre with some of the most terrifying stories ever imagined.

  • (b) as H.P. LOVECRAFT'S BOOK OF THE SUPERNATURAL: 19 CLASSICS OF THE MACABRE, CHOSEN BY THE MASTER OF HORROR HIMSELF Barnes & Noble, USA • hc • $7.98 • (2007) Fall River Press [Barnes & Noble], USA • hc (2nd printing, 2008, $7.98) ISBN-13: 978-0-7607-9123-3 ISBN-10: 0-7607-9123-6
    H.P. Lovecraft’s Book of the Supernatural: 20 Classics of the Macabre, Chosen by the Master of Horror Himself (2006)
    Cover by Igor Satanovsky [Note: The Barnes & Noble edition drops 'The Turn of the Screw' by Henry James.]
ACKNOWLEDGMENTS  
INTRODUCTION: SUPERNATURAL HORROR IN LITERATURE Stephen Jones
FOREWORD: NOTES ON WRITING WEIRD FICTION H.P. Lovecraft
THE TALE OF THE GERMAN STUDENT Washington Irving
MARKHEIM Robert Louis Stevenson
WHO KNOWS! Guy de Maupassant
THE INVISIBLE EYE Erckmann-Chatrian
THE TORTURE OF HOPE Villiers de l’Isle Adam
MS. FOUND IN A BOTTLE Edgar Allan Poe
WHAT WAS IT? Fitz James O’Brien
THE MIDDLE TOE OF THE RIGHT FOOT Ambrose Bierce
THE TURN OF THE SCREW Henry James
THE DEAD SMILE F. Marion Crawford
THE WIND IN THE ROSE-BUSH Mary E. Wilkins-Freeman
THE YELLOW WALLPAPER Charlotte Perkins Gilman
THE RECRUDESCENCE OF IMRAY Rudyard Kipling
THE HANDS OF KARMA (INGWA-BANASHI) Lafcadio Hearn
THE BURIAL OF THE RATS Bram Stoker
THE RED LODGE H.R. Wakefield
THE CAPTAIN OF THE POLE-STAR Sir Arthur Conan Doyle
THE VILLA DÉSIRÉE May Sinclair
THE VOICE IN THE NIGHT William Hope Hodgson
NOVEL OF THE WHITE POWDER Arthur Machen

Reviews

  • “For anyone interested even faintly in good horror writing, what we have here is pure gold: Lovecraft’s own selection of the best the genre has to offer, along with his comments on the individual stories. Talk about the horse’s mouth!”
    —Peter Straub
  • “Through the variety of stories, this collection provides a range that seems to accurately represent the work Lovecraft was reading . . . Essentially this volume serves two purposes: a glimpse into Lovecraft’s thoughts about the fiction contemporary to his life and work, and a showcase for the roots of the horror genre . . . For those interested in the all-time best (or most reprinted) horror, there are other volumes, but what this volume can provide is a sense of perspective.”
    —Amelia Beamer
    LOCUS #546, July 2006